Replication data for: Anchoring Effects: Evidence from Art Auctions
Principal Investigator(s): View help for Principal Investigator(s) Alan Beggs; Kathryn Graddy
Version: View help for Version V1
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zipfile | 10/20/2021 12:43:PM | ||
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text/plain | 14.6 KB | 10/12/2019 04:58:AM |
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Project Citation:
Beggs, Alan, and Graddy, Kathryn. Replication data for: Anchoring Effects: Evidence from Art Auctions. Nashville, TN: American Economic Association [publisher], 2009. Ann Arbor, MI: Inter-university Consortium for Political and Social Research [distributor], 2019-10-12. https://doi.org/10.3886/E113297V1
Project Description
Summary:
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This paper shows that the price of a painting sold at an art auction and the experts' pre-sale valuations are anchored on the price at which the painting previously sold at auction. We are able to separate anchoring from rational learning by using the identifying strategy that the unobservable component of quality for a particular painting remains constant between the last auction sale and the current auction sale. We interpret these results as anchoring on the part of the buyers, with the sellers and auctioneers either anticipating anchoring on the part of the buyers or exhibiting anchoring effects themselves. (JEL D44, Z11)
Scope of Project
Subject Terms:
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Derived/Compiled Data
JEL Classification:
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D44 Auctions
Z11 Cultural Economics: Economics of the Arts and Literature
D44 Auctions
Z11 Cultural Economics: Economics of the Arts and Literature
Geographic Coverage:
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International
Time Period(s):
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1980 – 1994
Data Type(s):
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event/transaction data
Methodology
Unit(s) of Observation:
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painting sale,
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